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Boja u pisanoj baštini - multidisciplinarna istraživanja

Međunarodna znanstvena konferencija

Zagreb, 25. – 27. rujna 2024.

Organizatori: Hrvatski državni arhiv, Sveučilišta u Zagrebu Grafički fakultet i Zagrebačka nadbiskupija

Boja i pisana baština dva su odvojena pojma koji se isprepliću oblikujući kontekst, sadržaj i izgled objektima povijesnog, kulturnog i umjetničkog sadržaja. U tom kontekstu neupitan je utjecaj boje na razumijevanje sadržaja pisane baštine. Boja se može definirati kao elektromagnetsko zračenje vidljivog dijela spektra koje upotpunjuje naš psihofizički doživljaj. Bojom se prenosi određena informacija, simbolika, no također emocija i priča. Poznavanje teorije boja, psihologije i kulturoloških aspekata nedvojbeno pridonosi razumijevanju značaja i sadržaja pisane baštine. Rezultat takvog pristupa cjelovitost je razumijevanja značaja, bogatstva i raznolikosti sadržaja pisane baštine, u kojoj se ogleda raznovrsnost povijesti zabilježene kroz pisanu i tiskanu riječ i sliku.

Upravo su širina i raznolikost takvih istraživanja bila osnovna tema međunarodne znanstvene konferencije Boje pisane baštine – multidisciplinarna istraživanja. Konferencija je trajala tri dana, sudjelovalo je 25 predavača, a odvijala se na 3 lokacije: Hrvatski državni arhiv, Grafički fakultet Sveučilišta u Zagrebu i Zagrebačka nadbiskupija. Uz predavanja organizirana su i prateća događanja, tako je prvi dan predstavljena izložba Projekt Bunker iz Državnog arhiva u Rijeci. Drugi dan otvorena je panel-rasprava s temom Multidisciplinirana istraživanja pisane baštine – izazovi i primjena u kojoj su sudjelovali svi prisutni, a nakon toga posjet zagrebačkoj katedrali, njenoj riznici i sakristiji. Treći je dan uz predavanja organiziran obilazak Laboratorija grafičkih materijala i radionica Multispektralnog snimanja.

Knjižica sažetaka

 

Colour in Written Heritage - Multidisciplinary Research

International Scientific Conference

Zagreb, 25–27 September 2024

Organisers: Croatian State Archives, University of Zagreb Faculty of Graphic Arts  and Archdiocese of Zagreb

Colour and written heritage are two separate concepts that intertwine, shaping the context, content, and appearance of objects of historical, cultural and artistic content. In this context, the influence of colour on the understanding of the content of written heritage is unquestionable. Colour can be defined as electromagnetic radiation of the visible part of the spectrum, which completes our psychophysical experience. Colour conveys not only certain information and symbolism, but also emotion and story. Knowledge of colour theory, psychology, and cultural aspects undoubtedly contributes to understanding the significance and content of written heritage. The result of such an approach is a comprehensive understanding of the significance, richness, and diversity of the content of written heritage, which reflects the diversity of history recorded through the written and printed word and image.

It was precisely the breadth and diversity of such research that was the main theme of the international scientific conference Colours in Written Heritage - Multidisciplinary Research. The conference lasted three days with 25 speakers and took place at 3 locations: the Croatian State Archives, Faculty of Graphic Arts of the University of Zagreb and the Archdiocese of Zagreb. Alongside the lectures, accompanying events were also organized, such as the exhibition Project Bunker from the State Archives in Rijeka presented on the first day. On the second day, a panel discussion was opened on the topic of Multidisciplinary Research of Written Heritage – Challenges and Applications, in which all those present participated, followed by a visit to the Zagreb Cathedral, its treasury and sacristy. On the third day a tour of the Laboratory of Graphic Materials and a Multispectral Imaging workshop were organized.

The book of abstracts

 

 

 

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